Michael Archer interviews David Byrne in Guernica:
Setting Imelda Marcos’s life to music—dance beats, no less—seems a perfectly mainstream concept coming from David Byrne. After all, this is a man who placed an old pump organ inside the Great Hall of the Battery Maritime Building in New York City and used hoses to connect it to pumps and motors set throughout the century-old former ferry terminal, so that when visitors pushed the organ’s keys they were “Playing the Building,” the project’s name. Still, a musical version of the former Phillippine First Lady’s life will likely raise some eyebrows. But beyond that, it’s also a potential new business model for the record industry. How so? By creating a musical biography of Marcos, one with a specific narrative thread, Byrne hopes to drum up demand not just for the catchiest of the songs, but the entire arc of the CD collection.More here.